Wednesday, 20 April 2016

Five Words We Owe to William Shakespeare



Five words we owe to William Shakespeare




It's a given that one of your main woes as a teenager was trying to understand the Shakespearean language. As contemporary English language speakers, it can be difficult to get our head around Shakespeare's terms. That being said, you might be surprised to know that many of the words and phrases we use today originated from Shakespeare's plays.

Here, Derrick Gask, artistic programme manager, shares his top five words and expressions that originated from the Bard himself.


Break the ice

Not many people know that the phrase break the ice was first used to describe a social gesture in one of Shakespeare's plays. In The Taming of the Shrew, Tranio says that Petruchio needs to break the ice with Katherina before he can woo her.

Shakespeare chose this particular phrase because Katherina's character was cold and hard to crack. Petruchio needed to break through the ice to reach Katherina's heart. In the end, Petruchio's plan worked and the two married towards the end of the play.

The meaning of this phrase hasn't changed much compared to how we use it today, although it is no longer used in connotation with a person's character. If you break the ice in a room, you remove any tension, so everyone feels comfortable getting to know each other.


Mum's the word

This phrase is commonly used when someone is staying quiet. It originated from Shakespeare's 1592 play, Henry VI, part 2. When the Duke's servant, Hume is paid to help Eleanor find a witch, he tells the audience, "seal up your lips and give no words but mum."

This is because the audience is already aware that Cardinal and Suffolk have paid him to kill the Duke's wife. Today, mum's the word is commonly used when a person is sworn to secrecy.


Swagger

The word swagger was first used in Shakespeare's A Midsummer Night's Dream. The first definition of the word is behaving in an insolent or arrogant manner. If someone has swagger, they display dominance over others, which has some relevance to how the word is used today.

Today, the word swagger is often used to describe someone who is well dressed and displays an often unfounded level of confidence.


Wild goose chase

The phrase wild goose chase first appeared in Romeo and Juliet, in 1592. Our understanding of the term today differs to Shakespeare's. Back then the meaning waws more literal and a wild goose chase was a chase in which horses followed a lead horse at a set distance, mimicking wild geese flying in formation.

Nowadays, the phrase refers to the undertaking of a task that will probably prove to be pointless.


Green-eyed monster

The notion that jealousy has green-eyes is probably older than Shakespeare, but it first appeared in print in his 1604 play, Othello.

Throughout the play, the most obvious jealousy is portrayed by Othello. As the play progresses, Othello grows increasingly jealous towards Cassio and Desdemona. During the play, Iago warns Othello that his jealousy is dangerous, by saying, "O beware, my lord, of jealousy; it is the green-eyed monster which doth mock the meat it feeds on."

One of the best ways to make sense of the Shakespearean language is to watch modern iterations of his plays, such as the ones Stafford Gatehouse Theatre organises every year during Stafford Festival Shakespeare.


From June 23 to July 9, 2016, Stafford Festival Shakespeare will be showing its own production of Othello at Stafford Castle. If your friends and family have already purchased tickets, don’t be jealous, you can still get yours today.

Tickets can be purchased online at www.staffordfestivalshakespeare.com/ or by calling Stafford Gatehouse Theatre's box office on 01785 619080.

Friday, 8 April 2016

Setting revealed for new Shakespeare production

The creative team behind our new production of Othello at Stafford Castle this summer have revealed more about the setting of the show.

Director Clare Prenton’s production of Othello will be set in the Italy and Cyprus of the mid 1950’s with an elegant and filmic design by BAFTA Scotland nominated film and theatre designer Francis Collier and music by Craig Adams. Craig is already known to Stafford audiences as the Musical Director of the last five Rock ‘n’ Roll Pantomimes at the Gatehouse.
Othello Director Clare Prenton

Prenton’s collaboration with Gatehouse regular composer / arranger Craig Adams will explore Shakespeare’s music of the 1950s in both Italy and Cyprus contrasting the freedom and hedonism of the Venice with the claustrophobia of the military camp in Cyprus where Othello’s love for his new bride Desdemona is put under the microscope of jealous his supposed ‘true’ friend, the Machiavellian Iago whose lies set in motion a chain reaction of tragic events.

Clare Prenton who began her directing career at Regents Park Open Air Theatre as an assistant and who has directed open air Shakespeare productions for The British Shakespeare Company The RJ Williamson Company and Cambridge Shakespeare Festival is delighted to be back in the open air but this time with a tragedy.

She commented “I am really excited to have put this award winning team together. I have worked with Frances in Scotland and Craig in London, so for me to collaborate with these two talents in Staffordshire, is exciting. The opportunity to direct this might piece of work in such a wonderful setting is a privilege”

Clare, who was born and raised in Liverpool, but is now based in Scotland, is also delighted that friends and family plus her old English Literature teachers from the North West can come to see the play. “One of my first ever professional theatre jobs was directing a youth theatre workshop for the Young Vic Theatre in Staffordshire and the then Artistic Director Peter Cheeseman gave me some wonderful advice as a young director starting out 16 years or so ago, so it’s wonderful to be back in the area. Plus my children (they are only 6 and 9) are looking forward to its proximity to Alton Towers and the Monkey Forest once the show is up and running!” Prenton concluded.

Tickets for Othello are on sale now and can be booked by calling the box office on 01785 619080 or by visiting the website www.staffordshakespeare.com.

The show will run at Stafford Castle from Thursday 23rd June until Saturday 9th July 2016.

Tuesday, 5 April 2016

A Taste of Italy for Shakespeare Festival

As preparations build for our Stafford Festival Shakespeare production of Othello, we are very excited to announce that Sugnall Walled Gardens will be returning to Stafford Castle with some delicious dining options, including picnics, pre-performance dining and on demand catering.

The picnics for two were a big hit last year, filled with mouth-watering fresh food and drinks, including freshly baked sourdough bread, olives, home-made quiche and cakes, with ingredients fresh from Sugnall’s very own walled gardens, all in a keepsake bag. The picnic bags are available for pre-order only, priced at £25.

On Friday and Saturday evenings (excluding Friday 24th June) you can treat yourself to a sit down meal in the hospitality marquee. For £34.95 per person, the team at Sugnall Walled Gardens will provide a delicious three course meal with tea, coffee and biscotti to finish. With Tuscan chicken, pea risotto and tiramisu being just a few of the courses on offer there will be something to excite all tastes.

Those after a quick bite to eat can grab some tempting treats from Becky’s barbecue gourmet grill. Baroness Becky will also be taking pre-orders for the interval too for those who feel peckish later on.

Orders for the picnic bags and pre-performance dining can be placed by visiting www.awwines.co.uk

The catering will be available for the entire run of Othello (pre-performance dining Friday and Saturday evenings only) from Thursday 23rd June to Saturday 9th July at Stafford Castle.

Tickets for Othello start from £13 and can be booked by visiting www.staffordfestivalshakespeare.com or by calling the box office on 01785 619080.